Pulsation

As the only visual creator in the collective, I developed the visual production, integrating motion design, 3D modeling, paint, CNC prep, video mapping, and editing into a cohesive experience.

Marliman Collective: Talia Hamburg, Amit Oddes, 
Jonathan David, Eden Dolev
Curator: Lital Marcus Morin

June 2024
At Bieta Gallery, Jerusalem
Documentation: Daniel Hanoch
 


The title of the exhibition, Pulsation, refers to a mechanical mechanism that operates as a precisely detailed machine—a synchronized system that generates ripples, resonating and activating each other in a continuous cycle. creating momentum and gaining acceleration  ongoing process. Each movement influences the other elements, together forming a dynamic composition that evolves within the space. The main element - Stones, refers to the processing of human experiences. Initially, each experience is unique and pulsates with vitality bad or good, but over time, as experiences accumulate, each stone finds its place, transforming and merging into a more complex, collective mass.


Formation Environments

Formation Environments, Teaser
  




Temporal bone, Teaser  

Uniformitarianism



Ballerinas

Lorem Ipsum...


Rock Slide
Ground movements




The Quarry
The Quarry
The Quarry
The Quarry


About the exhibition mechanism that was created, 
each piece had a part in the machine.  


The Temporal Bone tempo affect the Formation Environments, which create three paths. 
  The static one, Uniformitarianism
  The one who brings life, The Quarry
  The new interpretation, Ballerinas

Above all that, there is a changing sound surrounding, that won't revel in first sight, but is present in the exhebetion, an inner layer, Avalanche, and Ground movements.


Temporal bone Video dance, constant movement sentence, in different environments. By the dancer Amit Oddes, composition 
and editing of the video by Talia Hamburg. 

Formation Environments3D video art deals visually with imaginary stones, textures, 
and colors, in a void that changes simultaneously with two other works in the space (Temporal Bone & Ballerinas)

Uniformitarianism100cm x 172cm, ploter printing, 3D models of stones.

The Quarryinstallation, 3D printer, and white filament. Stones that are represented in the exhibition, become real-life tangible forms, at the opening, there were a few stones, and at the end of it, there were Dozens of tones of different shapes and sizes. 
BallerinasMirrors, 3D printing, copper, rock, electronics, and a projector. 
By Eden Dolev and Talia Hamburg, the mirrors move by an engine demand every 45 seconds, and the video projected is simultaneously the zoom-into texture of the stones from the work "Formation Environments" The work changes live and creates a strong interaction between the projector light that reflects from the mirrors on the video wall.

Rock SlideSound sculpture, Wood - CNC cutting, copper, electronics,
and sound. by Jonathan David and Talia Hamburg, the shape 
is based on two different stones I've modeled, but this time, only their seluate and the raw wood as a texture and material. Jonathan recorded the sound-based stones, the statue starts with a solenoid that bangs on the copper and moves the statue based on a movement sensor that controls the sound.


At the exhibition opening, Amit Oddes and Jonathan David
had a performance with the Balerinas